Wednesday, January 26, 2011

Hereafter : the last film of Clint Eastwood

Clint Eastwood’s new film "Hereafter" (in Spanish " Más allá de la vida") comes from the uncertainty about the existence of a life beyond the death. Three characters are searching the truth about this issue for different reasons: the loss of somebody close (Marcus), a near-death experience (Marie) or the gift /curse to be in connection with the afterlife, thanks to peculiar paranormal powers (George).

I really don't know why but I'm still having some doubt about the real meaning of "Hereafter". Maybe because I expected something different from Eastwood, considering my love for movies such as "Million dollar baby" or "Gran Torino". Maybe because my catholic unconscious, which is pretty much sure about the existence of another life after death, doesn't allow me to think in a different way. It seems to me that the movie looks like a documentary about people deeply involved in what might -or must- be beyond death, about the consequences in their life when you desperately need to know.

With Matt Damon (George), Cécile de France (Marie), Frankie/George McLaren (Marcus)

Trailer

Photo exhibition: "Faces of the world"

La mostra "Faces of the world" pone a confronto due fotografi, Elaine Louise Barker e Javier Bedrina, entrambi accomunati dall'importanza che attribuiscono al viaggio come mezzo di conoscenza, come strumento di arrichimento personale, durante il quale entrare in contatto con mondi "altri", conoscere persone differenti e appassionarsi alle loro storie.


Lei, di origine  britannica, subisce profondamente il fascino del mondo arabo, esibendo scatti frutto del suo viaggio in Marocco e alcuni momenti di vita particolarmente toccanti tratti dalla sua permanenza a Buenos Aires. Tralascia completamente l'uso del colore per foto in bianco e nero, con l'intenzione di non edulcolare nulla della realtà che ritrae, specialmente quando ha come soggetto bambini che vivono ai limiti dell'indigenza, come in "Childhood".
Lui, invece, spagnolo, fotografo per passione, dimostra una certa predilezione per l'estremo Oriente. Gioca con l'uso del colore, in alternanza con il bianco e nero, per accentuare contrasti, posizioni, oggetti. Dai suoi viaggi in Tibet, Nepal e Butan seleziona una serie di volti dietro ai quali si intravede una storia, momenti di vita realmente vissuti, di cui lo scatto rappresenta una sintesi: un monaco buddista completamente immerso nel suo atto di preghiera.

La mostra rende perfettamente il dialogo di questi due viaggiatori, con le analogie e le differenze dei loro sguardi discreti, all'insegna di realtà diverse e appasionanti, alla scoperta di nuovi mondi.









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Mostra fotografica congiunta di Elaine Louise Barker y Javier A. Bedrina
Sala TheLoftCost - c/ Talavera, 2 - Madrid
(Semiesquina Serrano, 205)
Metro Concha Espina (línea 9)
Inaugurazione: 25 gennaio 2011
Dal 25 gennaio al 1 febbraio 2011

Wednesday, January 19, 2011

Carmen Consoli - Guarda L'alba

Pasión por Renoir: una delusione

La tanto pubblicizzata esposizione sulla collezione dei quadri di Renoir appartente al Sterling and Francine Clark Art Institute aveva attratto la mia attenzione sin dalla sua inaugurazione. Concentrata in uno spazio ridottissimo al primo piano del Prado, la mostra non ha sortito alcun effetto positivo durante la mia visita che è durata il tempo di un soffio. Mancava di slancio, di un filo conduttore che non fosse quello di pubblicizare attraverso un nome universalmente riconoscibile e facilmente attrattivo, ossia Renoir, l'operato dell'Istituto americano di cui sopra. Per un attimo avevo pensato di assistere ad una mostra illuminante sul mecenatismo americano agli inizi del secolo scorso o di veder aperta una nuova finestra sulla storia di Renoir e della sua pittura. Niente di tutto ciò: la mostra, a mio avviso, è e rimane un potente biglietto da visita del Clark Art Institute in Spagna ed in Europa. Perfetta operazione di marketing, ma di dubbio valore culturale.

A quel punto, ho utilizzato il prezzo del biglietto per ammirare le meraviglie spagnole offerte dal museo del Prado, specialmente quel "Cristo crocifisso" che Velázquez ha reso più vero del vero, piu reale del reale, che che si staglia in tutto il suo marmoreo candore contro una parete leggermente smeraldina, proprio all'entrata dello stesso piano della mostra, mentre uno sconosciuto, postosi al lato con tela e pennelli, cercava invano di imitarne la bellezza.

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The Ability Awards by Saida Garcia

Yesterday I attended the Ability Awards organised by Telefonica and where Queen Sofía presided over the solemn ceremony. The prizes organised by Telefónica to recognise and reward the companies and organisms that are best implementing policies that encourage the integration of the disabled into their business model. At the table of honour, the Queen was accompanied by the Chairman of Telefónica, César Alierta, the Minister of Industry, Tourism and Trade, Miguel Sebastián, and the President of the Madrid regional government, Esperanza Aguirre.

The event, which took place at District C, Telefónica’s Madrid headquarters, was attended by over 400 guests, including representatives of Autonomous Region governments, luminaries from the cultural and political spheres, representatives of union organisations, business leaders, and advocates for the disabled, as well as the media.

The Queen presented the winners of this first edition with a sculpture by the Irish artist, Shane Holland. These winners were selected by the Trustees of the Telefónica Ability Awards, composed of the Chairman of Telefónica, César Alierta, and thirty other notable individuals, including the Minister of the Presidency, Ramón Jáuregui, the Minister of Health, Social Policy, and Equality, Leire Pajín, and the Minister of Industry, Tourism and Trade, Miguel Sebastián, the President of the Madrid regional government, Esperanza Aguirre, and representatives from companies, universities, unions and associations involved in advocacy for the disabled, CERMI (Spanish Committee of Representatives of Disabled People, ONCE and Fundación ONCE.

In November, the Trustees selected 48 companies from the 273 that were initially in the running. PwC Spain provided oversight and support during the entire process, which started last April.

In this first edition, the Telefónica Ability Awards were given to the following companies and entities:

In the three Absolute Categories, the winners were Repsol, for Best Large Private Company, Hotel Entremares for Best SME and Aena, for the Best Public Institution.

In the Main Categories six different prizes were awarded: Senior management commitment and employee leadership, which recognises the entity that best integrates disabled people into its strategy, won by the Palencia-based food company Grupo Siro. Recruitment and selection, a prize that rewards organisations that are actively concerned with selecting and recruiting people with disabilities. MRW was the winner in this category. Accessibility, a prize which recognises the entity that provides the safest, securest and most accessible external and internal environments at its facilities. Sanitas was the winner of this prize. Customer counselling, a prize which recognises the entity that stands out for developing products and/or services targeting people with disabilities. The Ayuntamiento de Ávila won this prize.

Professional development and training, a prize that rewards organisations that guarantee that each employee has the same training and promotion opportunities. Grupo Siro took the laurels in this category.

Prevention and retention, recognises the company that stands out for providing the means to prevent injuries that could cause disability, and retaining employees who acquire a permanent disability. Won by Capgemini.

The role of Telefónica is to act as a facilitator and integrator and support the work of the Trustees of the Ability Awards, an important driver for changing perceptions about disabled people. In the coming years, Telefónica will hold the Ability Awards in other countries where it is present, both in Europe and Latin America. In the words of the chairman of Telefónica, César Alierta, the Ability Awards are unique because they “put disabled people at the centre of the value chain, the same as for any client segment. Furthermore, the initiative goes beyond philanthropy, and empowers innovation for creating new sustainable business models that are able to cover the demands of this group". “We learned a great deal from studying the candidates,” explained Alierta, “But above all, we learned the following: when you incorporate disabled people into the productive structure of any institution, you create value for everyone. We all end up winners”.

The Ability Awards originated in Ireland, where they have been sponsored by Telefónica O2 for the last four years, during which time they have had a major impact on the country’s business world and society in general. They were created by Kanchi, a non-profit organisation created to improve the relationship between disabled people and society at large. After meeting with success in Ireland, Caroline Casey, founder of Kanchi, decided to extend these awards to other countries. “There is no time like the present to export these prizes: within 10 years, 20% of the European population will have some type of disability. This represents 20% of our consumers and 20% of the market; this is a key piece of information for doing business", explained Casey.

Tuesday, January 18, 2011

The king's speech: when a nation needs a voice

Lui è Albert, duca di York, secondogenito di re Giorgo V e, in quanto tale, secondo in linea di ascendenza per il trono d'Inghilterra. L'altro è un uomo ordinario, un australiano trapiantato a Londra, che si reinventa come specialista senza titoli per i disturbi del linguaggio. Cosa hanno da condividere? La mancanza di voce del primo, interpretato da Colin Firth, la capacità del secondo, interpretato da Geoffrey Rush, di potergliera ridare.
Il film traccia il dietro le quinte di una pagina della storia inglese sconosciuta ai più, quando il bisogno di una nazione di avere un leader forte e carismatico su cui poter contare alle soglie della seconda guerra mondiale, si scontra con le difficoltà di un futuro re di essere all'altezza del suo compito per mancanza di una voce, per un difetto di balbuzie, per distima di se stesso e delle proprie capacità.
Cosa è un re privo di fiducia in se stesso e senza una voce con la quale infondere sicurezza e coraggio al suo popolo?
L'interpretazione di Colin Firth è superba e toccante al tempo stesso, perché restituisce l'immagine di un ascendente al trono alle prese con i suoi demoni e le sue fragilità, ma soprattutto con il fardello di essere re quando tutto sta per crollare. Se non ha vinto l'oscar per "A single man" di Tom Ford, questa volta lo guadagnerà certamente. Jeoffrey Rush è perfetto nella parte del terapista un po' pazzoide capace di ridare coraggio con i suoi metodi alternativi al futuro re. Anche lui da oscar.
Seganaliamo anche Helena Bonham Carter nella parte della moglie di Albert e futura regina Maria: perfettamente riuscita.

P.s. Da vedere possibilmente in versione originale. 



Friday, January 14, 2011

Caixa Forum Exhibition : Dalí, Lorca y la Residencia de Estudiantes

For those who want to discover something more about the relationship beetween Federico García Lorca and Salvador Dalí, I strictly recommend this exhibition at the Caixa Forum, open until the 5th of february.
It reconstructs the intellectual and aesthetic "liaison" beetween Dalí and Lorca since1922/23, when they met for the first time at the "Residencia de Estudiantes", until 1929, when they left Madrid towards different destinations: Dalí went to Paris, Lorca to New York.


Thanks to a very rich collection with letters, writings, poems, paintings and photos, we can observe the birth of their friendship during their stay in the "Residencia de Estudiante", whose liberal atmosphere would provide the ideal setting for the formation of these young men. Since 1925/27, they shared a commun poethic, summed up in the expression "There is clarity", a strong declaration of "regreso al orden" and its models: number, proportion, rhythm, geometry, plasticity.

Special attention should be drawn to the photos of the two friends in Cadaqués, a small fishing village near the French border, where Dalí invited García Lorca to spend the Easter holidays of 1925 and the summer of 1927. Unfortunately, two years after, their intellectual relationship ended. In 1929, Dalí abandoned the clarity models to embrace those of darkness, formless, bestial erotism, even because of the influence of the Surrealismin in his work.
The exhibition is well documented, also because it records the connections beetween Dalí and Lorca and the international context of the avant-garde.

More info: http://obrasocial.lacaixa.es

Dalí, Lorca y la Residencia de Estudiantes, until 5 february, admission free
Caixa Forum Madrid
Paseo del Prado, 36
28014 Madrid
From Monday to Sunday,10am to 20pm